The Story of a Woman’s Journey to Business Success and a Little Girl Called Zoey

The Story of a Woman’s Journey to Business Success and a Little Girl Called Zoey

 Tw:/ warning; this article contains information and recollections of infant death, neonatal illness and readers discretion is advised.

 

Dominique Ho, or Dom as she is affectionately known, gets stopped several times by people when I meet her at Ocean Grove beach for a walk and a chat. 

First, each person recognizes her and her beautiful dog, then their faces light up like the Geelong Christmas tree. Next, there is a mention from an approaching runner about her work for the local business group. Finally, a few school mums sporting grins stop to say hi, and this is when you get the vibe that the company you are keeping this day might be a little bit exceptional. 

The digital media go-to has a contagious, vibrant energy and humour, but a discerning eye soon senses a steeliness and resilience beneath her subtle confidence. For Dom and her husband Greg, it’s a no-brainer; family life must always come first; ideology isn’t waxing lyrical; it’s scaffolded quite seriously. Their business, Viewpoint Digital Media, works around the team. But where does this idea stem from? Dom tells me it is all because of Zoey. 

This successful businesswoman has a story, a precious gem she has kept close to her chest. Finally, after many years she is brave enough to share it with us. 

 

So talk to me about Zoey. 

Greg and I had our first baby Zoey when I was 25. I knew something wasn’t quite right during the pregnancy. I had dreams, and I felt quite intuitive. I just knew something was wrong, but I couldn’t show anybody. 

I had my scans early on as a normal procedure, the doctors said everything looked fine and the baby looked well. But after 20 weeks or so, I knew something was not right, but I couldn’t prove it. So, I just rode it out and thought it was just my fear. 

When I was ten days overdue, I delivered her and nobody was home. She was blue all over with black eyes. Being my first, it was an extremely painful delivery, as I’m sure many women experience. Zoey was rushed to emergency and I had no idea what was going on because I was so high on whatever the nurses gave me for the pain. 

Zoey, the doctors and Greg rushed off to the postnatal intensive care ward where they tried to stabilize her. Dad rushed in to come to be with me. The nurses helped me express my milk so Zoey had something. I had an epidural, so my legs weren’t moving. We learnt Zoey was going to the Children’s Hospital as she needed more care. My Dad said, come on, you’ve got to work your legs out. 

I had to be with my baby. We made our way to the Royal Children’s. We stayed there for basically four weeks, and the nurses cared for me because of complications with my blood type. Around the third week, Zoey seemed to be stabilizing. 

I can’t even begin to imagine the layer of hormones, grief, hope, limbo, all wrapped up in an intense parcel of suffering. It must have been so mentally and emotionally tasking.

Greg and I didn’t particularly feel like we were going downhill mentally. We were crying every day but more so because of the sadness of what Zoey was going through. But then I felt myself going downhill and realized that it brought me down when I was around other parents talking about their sick children. Finally, it got to the point where she was doing well, and we started to remove a lot of the medication because she didn’t have any food at all. So, I was expressing my milk, I had milk for days, and I wish someone had educated me on donating my milk because I had an enormous amount. 

I filled up their fridge to the brim. What am I meant to do with that all if my baby doesn’t need it all? I was bummed to see my milk go into the bin after all of that! Zoey started waking up, and she could hear me, and she was reacting! I talked  to her and read her stories. She slowly sort of opened her eyes, and she saw me, and she saw Greg. So we didn’t leave her side. Greg and I read her Alice in Wonderland. And it was sort of, we’d always, I guess, pictured Zoey going down the rabbit hole. We thought she got lost down the rabbit hole. We were 25-year-old kids; I remember thinking, “I don’t know what to do with this.” It was incredibly intense. 

 

Did you have much support around you?

I didn’t realize the emotional effect or know how intense this was on everybody else. I didn’t even have my phone. I didn’t have my phone for four weeks. 

Both our parents were there, and my Mum was good at reading me. We are very close. She was there when I needed her, and she was not there when I didn’t. She actually kept everything going in the background. She kept all of our friends and family up to date. Our parents were very supportive. We didn’t want to cut our loved ones off, but Zoey needed us, and we became quite protective of our time and shut out the outside world. 

 

How did you and Greg cope together? You are a dynamic team, but this must have held incredible weight. 

 

Greg and I have always been close, always been on the same page and best of friends. We just grew even stronger together; we only had each other. At the time, Dr Wood, Zoey’s specialist, said it’s not often that he came across a stronger couple after this. He said he saw so many couples pull apart. It’s very sad. But Greg and I were solid, and we’ve been solid since. 

Did you have a strong feeling? I find sometimes it is hard for people to voice intuition because there can be judgement from others. Or the ‘woo-woo’ perception, rather than the truth of it- instincts are kicking in! 

Greg was probably a bit more optimistic about her recovery than I was.

But, for a long time, I already knew that I wasn’t going to keep her and I think it was because instinctively, as I said earlier, I already knew that something was wrong, but I couldn’t prove it. I couldn’t visualise her in our life.

Zoey was four weeks old. She gave it everything. The doctor, when she initially got into the hospital, said, you know, she’s got a 10% chance of surviving the next couple of days. So knowing this information and having no idea of what’s going to happen, she’s made it to four weeks. It was the bloody longest four weeks. But during the third week, something changed…Dr Wood told us, we’ve got to make a decision. She’s not getting any better. She’s got a third of her lungs. She’s got pulmonary hypertension. 

 

She’s hit rock bottom. She can’t keep going. 

 

We thought this is not fair. Greg and I had to make the heartbreaking decision to turn off her life support so she wasn’t suffering anymore. 

We held her in the room that we were staying in; we had her in a little yellow dress. 

What’s your fondest memory of Zoey? 

Her waking up. Her waking up, we were pretty excited that she saw us. 

What would you like people to know about Zoey and your experience?

What was more important than this grief is that Greg and I were so happy, appreciative and grateful that we had her; I carried her and then we were able to experience all of this regardless of how sad it is. 

There are people out there who can’t become pregnant, there are people out there who cannot conceive. There are people out there who don’t find husbands that love them as much as Greg loves me. I’m grateful for everything and the experience of Zoey. The fact that we met Zoey, and I was able to produce all that milk. I felt Zoey kicking, and I had those, you know, connections with her. Some people never get to have that. Even when they miscarry, they don’t have that the same way. I got to talk to her. We read her stories. We changed her nappy; we were able to wipe her and dress her. We got to say goodbye which gave both Greg and I so much closure.

The medical staff on the Butterfly Ward are beautiful. They opened their hearts, and I would imagine that that would be so hard for them in so many situations. We are so grateful for what the doctors and nurses did around the clock. We got to know them. I also wondered how emotionally tasking our situation was for the nurses and what they were taking home with them. After Zoey, we decided that everything we did would be forged with the intention of being of service and benefiting others. You always have a choice in life and we wanted to contribute to the community.

I look at how you protected that space around you, Greg and Zoey, and how you had the discipline to know ‘I’m not having my phone,’ that this needed to be what it was. You sound incredibly present, even in knowing and trusting your dreams. That takes real ownership and authenticity of self which is uncommon at such a young age. I can see now how that translates into everything that you do. Where did that all come from? 

My Mum worked her ass off to help me understand my feelings at a very early age because I was a handful. I always wanted more. I wanted more of everything. I wanted more of a laugh, more adventure, more fun, more learning. I didn’t have time for school. I hated school. I was like, this is going too slow for me. I was bored. I was misbehaving. I was sent to the office. I got detention all the time for talking and being disruptive. My Mum helped me work through these feelings; she would get judged! Nobody understood the way she parented me. She was indulging me too much, according to some (she laughs heartily). But, she taught me to understand myself and my surroundings, to better read people and my situation. My Dad taught me to have thick skin and not worry about what others are doing or what they think of me which has helped me alot through my career.

I wasn’t really accepted in High School, and I didn’t feel like I belonged. I was headstrong, and I decided I was wasting my time. So I told my parents I’m leaving. They said, okay, well, what are you going to do? You can’t leave unless you go to do something. I said okay. 

My Dad mentioned my love for cooking; what about becoming a chef? 

Done, I’ll be a chef. Sure thing, no worries. 

I went and got myself an apprenticeship. My Dad loved ironing my chef uniform and popping in my little buttons. I worked weird hospitality hours every day when I was 16 years old. Everyone else was doing school, and I was working. I didn’t go to parties. I worked early, and I worked late, and I worked all the bloody time.  

The connections that you have to have to dance around the kitchen are big, right? So it’s not for the faint of heart! 

It was a dance, and it’s a beautiful dance. It’s a fucking hectic dance! 

I completed my apprenticeship which took me through to meeting Greg in Melbourne. He was the general manager at a bar two doors down from me where I would enjoy my well deserved knock off drink.

You were quite successful at a young age, too, right? But this was interrupted?

I guess you could say that. I had a lot of learning opportunities which put me in a good position to help open up a new restaurant for somebody in Toorak with a team. I was 19 or 20 at the time. Then, only a couple of months after opening, Greg and I were in a car accident.  My passenger seat detached; it was pretty bad; it was all over red rover. I had a back brace and couldn’t work. The impact twisted my insides; everything was stuffed. I could barely walk for a long time. So again, I was faced with a choice, I had a choice to either moan and groan and sit around or get up and do something about it. So I had to rethink my career, so I went and got my teaching qualification, and I became a commercial cookery teacher. 

I did this for maybe 8 years, I then took a side step and worked in automotive for a few years as the international market for students coming to Australia to do commercial cookery dried up a bit. It was here that we were fortunate enough to fall pregnant with Zoey.

 

Dominique Ho Ponderings Magazine

So how did you become a digital media expert? 

Both my parents are entrepreneurial. They both had successful businesses for a long time, and they’re both very creative but so different. My family, including my brother, share that motivation, determination, and hard-working ethic. We’re all creators.  

Dominique’s father, Peter Lamont, is an award-winning filmmaker, photographer and the creator of the Australian TV show InsideArt. 

After Zoey’s passing, I was miserable. Ii didn’t want to go back to my job at the automotive place as I feared people would pity me. My Mum and Dad checked in every day if not every hour to see how I was coping. Dad always said to just focus on making it through the next hour. When that hour is up, focus on the next hour. After about a week or so, Dad asked me to come in to work with him so I wasn’t home alone all day as Greg went back to work. Greg and I had several weeks off work by this stage.

I started there a couple of days just doing bits and pieces to keep me busy. My brother was there along with my cousin. I felt safe there with my family. It was just what I needed. Then after a few weeks I became really interested in Google Ads and it got into my veins, and I just kept learning more and more.

Not long after working with Dad, I fell pregnant with Aaliya. We spent the next 2 years in Melbourne before making the sea change to Ocean Grove. 

Greg began working for Barwon Health, telling people’s stories through incredible Video and Photography. He’s a visual storyteller, and he has travelled the world with his videography; he’s also a musician. Greg actually learnt his videography and photography skills from Dad. But that’s another story in itself. 

 

You then had another tragedy, didn’t you?

After we had Aaliya, and before moving to Ocean Grove we tried for another baby. I  already had some dreams from Zoey to tell me that this wasn’t going to work. Sounds like a bit of that woo woo, right? 

Zoey said to me in the dream, Aaliya will be perfect, but the next baby won’t be. Our next baby didn’t make it. She was 17 weeks old. 

She had a whole lot of other issues completely different to Zoey; I had all the tests, no answers. I wanted to try again, about a year later but after seeing a specialist, they said I was too high risk and not to try again and the doctor basically said, don’t bother. So I had to come to terms with that, which was hard. I wanted that choice for myself. I didn’t want that choice made for me. So I was pretty angry about it. 

I decided I wanted to be really grateful for what I have, all over again. I think that’s when I realized where I was working was not making me happy. I wasn’t happy having Aaliya in daycare. She would cry at the gates, and she would be hysterical when I picked her up. I had to reconnect skin to skin every day just to bond all over again. We needed the flexibility. I didn’t want the guilt. Aaliya is my only baby. 

Greg and I realised Aaliya needed us more. We needed to be more available for her. Greg supported me 110% in taking the leap of faith in creating my own business with the intention of growth, then when it was built up enough we could have him onboard full time too. He never doubted me. Not once. He shared my vision and was all in.  I managed to attract a couple of clients, and it went from there.

That was November 2017. Aaliya and I spent quality time together. We would disconnect from our phones, iPads, and go bushwalking. We built her up, so she had enough strength to bushwalk for a few hours at four years of age. I wanted to be able to go to a school assembly. I wanted to be there, pick up and drop off and if I needed to go to appointments for myself or for whatever it is. I wanted to be in business, I wanted to help people grow their business which could mean they can do more for their families.  I visualized what I wanted. Then the portfolio grew; we needed a team, and we wanted them to enjoy these qualities. 

The rest is history! 

JAX Tyres for Ponderings

It rings true for me that you are emotionally invested in your clients and your team. 

I’m very loyal to all of my clients, and I’m emotionally invested in their business. Their digital media success is based on other people sharing the brand journey, values, and story. So it has to be authentic. The digital media space is rich with storytelling, and it’s crucial that the platform captures it. You can’t fake it. I think it is because our team are always encouraged to prioritise family and to take time if their kids are unwell or have something special on for school, they are never made to feel guilty. We have deliberately systemized the business to support this. 

We are working together to achieve the same goal. Both Greg and I want them to prosper in all of this.

 

Dominique and Greg Ho Viewpoint Digital Media

Photo: Greg, Aaliya and Dominique Ho

It is crucial to create a safe space for people to be just as authentic as you; that’s a big deal because it’s less of an “us and them” situation. When there’s not that connection, there’s not that friendship. Your scarcest resource in business is to maintain a seamless longevity with your team so you can grow without forsaking quality. I think we have managed to achieve that. 

Is there an aspect of business you would like to see change?

When people comment on our ethos, it really makes me question, why aren’t there more businesses like this? Why can’t businesses value people’s lives outside of work? How do they not see that if you put value back into your employee’s life, they will work so much harder and more efficiently if their family life is looked after? 

You know, in life, growth and positivity can come in the most traumatic sources; you must recognize it and transform it. We have gifts come into our lives. I started Viewpoint Digital Media to honour Zoey and what she taught us and to embrace our life with Aaliya and as a family while giving that to our team and clients in some way shape or form. 

 

Viewpoint Digital Media is lead by Dom and her husband Greg; they have developed a culture at VDM, a trend-bucking hybrid – where business and family life is synergetic. Viewpoint Digital Media has grown from one person to 9 within three years and is on the lips of most SMEs in the Greater Geelong region. To find out more about their dynamic offering, go to: https://viewpointdigitalmedia.com.au 

Side note; good luck from Ponderings to Dom, Greg and the team for the upcoming Small Business Awards!

Further resources:

Victorian Milk Bank : https://www.mothersmilkbank.com.au 

Butterfly Ward Royal Children’s Hospital; https://www.rch.org.au/butterfly/

Still Birth Foundation : https://stillbirthfoundation.org.au

Sands Australia  https://www.sands.org.au/contact

Photo: Viewpoint Digital Media

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How Aromatherapy Can Make Your Household Feel Calm

How Aromatherapy Can Make Your Household Feel Calm

– Is Aromatherapy Good for You?
– Can Essential Oils Make Your House Feel Better?

If you want to create a calm and relaxing environment, there are many ways to do it. One of the most popular methods is using aromatherapy. Essential oils have been used in aromatherapy for centuries because they can be harnessed as powerful tools that promote physical and emotional well-being. So given we are candle makers, why is essential oil in candles so good for us? It all has to do with our sniffer.

The nose is a complex organ that can be compared to an antenna that picks up scent molecules from our environment and then transfers them into the brain. This allows you to perceive smells. Do you know why your sense of smell is so important? It’s because it helps you avoid dangers, find food and drink, and discover new things. Without a good nose, life wouldn’t be the same!

These essential oil blends might not keep you out of danger, but they might help you achieve your goal of creating an atmosphere where peace reigns supreme!

Lavender is an excellent example of a profoundly calming essential oil. Lavender’s aroma has been shown in studies to produce feelings of relaxation and well-being, promoting calmness on both the physical and emotional levels.

Orange essential oil is another useful oil that can be used to promote a calm atmosphere. The sweet, citrus aroma of orange essential oil helps to uplift mood. It is said to help with feelings of depression while also reducing anxiety and stress. In fact, an in-depth study in 2017 in aromatherapy showed potential to be used as an effective therapeutic option for the relief of depressive symptoms in a wide variety of subjects. 

Patchouli is another calming blend that can be used in aromatherapy. It is said to help you let go of mental tension and worry by promoting balance on an emotional level.

Basil oil is reputed to have a very calming scent that helps promote feelings of serenity and peace. It may also help with health issues like insomnia, anxiety, or depression and boost energy levels due to its refreshing aroma.

Rose oil helps with uplifting one’s mood and promoting self-love within oneself. It is also used for skincare treatment due to its rejuvenating qualities. Studies show at an emotional level, subjects in the rose oil group rated themselves as calmer, more relaxed and less alert than subjects in the control group

Lemon is one of my favourite smells. It’s fresh and light but still has a bit of zest to it! This bright and citrusy scent is perfect for fighting fatigue! Said to relieve anxiety, balances moods while uplifting the spirit and energizes.

Science is really unwrapping the facts when it comes to aromatherapy. For example, Peppermint essential oil benefited brain performance with demanding cognitive tasks during an extensive study on its impact on Brain Function

A similar study in 2018 showed Bergamot essential oil aromatherapy on mood states, parasympathetic nervous system activity; the primary aim of the present study was to obtain the first clinical evidence for these psychological and physiological effects. 

We recently partnered with Angel Sent Aromatherapy to make our limited edition candles. For those that don’t know, I am the founder of Angel Sent from some 13 years ago. Insider fact- We like to use Bergamot as a bottom or middle note to our blends to accentuate and strengthen the depth of an aromatherapy experience. 

The evidence is in, and it’s clear that aromatherapy works to promote a state of calm. Suppose you want to experience the benefits for yourself. In that case, we recommend checking out this month’s Ponderings Pinterest collection on Aromatherapy recipes. 

Want to try out one of Angel Sent’s latest essential oil candle blends?  Check them all out here!

Disclaimer; Ponderings makes no health or medical claims in this article, please see a qualified medical practitioner for all health advice and concerns. 

Further references and reading; 

Hongratanaworakit T. Relaxing effect of rose oil on humans. Nat Prod Commun. 2009 Feb;4(2):291-6. PMID: 19370942.

-Kennedy D, Okello E, Chazot P, Howes MJ, Ohiomokhare S, Jackson P, Haskell-Ramsay C, Khan J, Forster J, Wightman E. Volatile Terpenes and Brain Function: Investigation of the Cognitive and Mood Effects of Mentha × Piperita L. Essential Oil with In Vitro Properties Relevant to Central Nervous System Function. Nutrients. 2018 Aug 7;10(8):1029. DOI: 10.3390/nu10081029. PMID: 30087294; PMCID: PMC6116079.

https://pubmed.ncbi.nlm.nih.gov/25824404/

https://pubmed.ncbi.nlm.nih.gov/30087294/

https://pubmed.ncbi.nlm.nih.gov/19370942/ 

https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5241490/

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Filming Fever Set To Flare Again in the Geelong Region

Filming Fever Set To Flare Again in the Geelong Region

What does Geelong have to do with the suffragette movement in New York City? Well, a hidden gem written by playwright Floyd Dell in 1915 about a love affair struck a chord with Geelong based actress Cassidy Krygger.

Enigma, a one-act play, has been reinvigorated and is set to be filmed in Geelong. With Aussie producer Jessica Orscik on board and her US-based production company, Diversity Pictures, Orscik is dedicated to edifying projects with diversity. 

This is the crowning stroke in what is set to be a shining light for Geelong in the face of an industry crippled by COVID. 

More than a little inspiring, Krygger sought inspiration as she battled Multiple Sclerosis, and plunged herself into the world of script, story and art. Diagnosed in 2018, the humble and dedicated actress has forged forward to bring diversity and inspiration to audiences. 

“The moment I read Enigma, I fell in love with it. A one-act play, Enigma tells the story of a love affair, the story could be told today, and I contemplated a narrative with a twist, what if the affair happened between two women? Thus began the journey, a period piece with strong female characters to reinvigorate a masterpiece.” 

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“When I was diagnosed in 2018, I desperately needed stories to escape into. I also realised I wanted people with Multiple Sclerosis to look up to the industry that I love. I feel there are limited opportunities for people with disabilities; even though this is slowly changing, I would love to be a part of that change,” says Cassidy. 

Filming took place at the Wormbete Estate in Winchelsea, the period piece will be an excellent addition to what the Geelong region has to offer artistically, with film crews historically bringing great fortune to regional areas. The SeaChange effect, coined after the series name filmed in Barwon Heads from 1998 to 2000 by the ABC, with a stellar cast including star Sigrid Thorton- showed how prosperous filming can be for regional areas. Films such as The Dressmaker, Mad Max, and Tomorrow When the War Began showcases the elements our area offers. 

Playright Floyd Dell

It is so exciting to inject some more excitement into the town I love so much. However with COVID impacting the industry so severely we are personally looking for collaboration by those wanting to invest in the project to help get it going. It is a very expensive process, even with our personal free contributions” says Cassidy. 

If you would like to be a part of the Enigma launch, and you would like to show your support for this exciting project; join us by clicking here- Daisy Productions

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The Lion, The Witch, Tolkien and Atheism…We Ponder Into the Wardrobe of C.S Lewis

The Lion, The Witch, Tolkien and Atheism…We Ponder Into the Wardrobe of C.S Lewis

Author C.S Lewis has held my attention and imagination captive for many years. For those who know and love Narnia, a wardrobe will never ever be just a wardrobe. A lion will never just be a lion. Ever.

As a wee poppet, I loved a good story, and Lewis’ The Chronicles of Narnia is an all-time favourite. The first book in the series of seven was The Lion, The Witch and Wardrobe. Set in WW2, three siblings are sent to the home of Professor Digory Kirke to escape the impending threat on London by Nazi Germany. What came next was nothing short of a masterpiece of fantasy, magic, heroic adventure and mythical beasts. The narrative of what lies beneath this formidable and conflicted world endures to the current day, where his books continue to sell millions of copies and translated into multiple languages, movies and TV series. I believe along with the Magic Faraway Tree it started my fascination with multiple dimensions- the portal into places afar is more than a little captivating. 

 

An intellectual herculean of his time, albeit a humble one- Clive Staples Lewis was born in 1898 in Belfast.

Oxford and Cambridge Universities were his stomping grounds along with his friend, JRR Tolkien.  It was actually during a stroll in the September of 1931 along Addison’s Walk in the ground of Magdelen College that a conversation would change the course of the Irish scholar’s life. The passionate and reportedly steadfast atheist chatted with Tolkien and Hugo Dyson about metaphor and myth. After some robust debate, Lewis was challenged by Tolkien that the myth of Christ was real and worth further investigation. C’mon right? More than a little fascinating, there was this one time when Tolkien and I were chatting…  

Forty books later and countless works of literature, both in fantasy and academia, CS Lewis became one of the most prolific writers and lay theologians of the twentieth century. 

The world of Narnia provided more grown-up tales exploring loss, heroism, villainy, forgiveness, faith, siblings, and children’s courage. Aslan, the lion, was as fierce and wonderous as the witch was frighteningly real, the beautiful trickster incarnate! There were life lessons to be discovered and a hankering for Turkish delight. To my fascination, the female characters developed stealthy warrior skills that were to be reckoned with. For a time, the book was banned in several countries for its perceived violence. 

The world is once again in a state of compunction, and perhaps dare I say it; a hue of change?

I pray each day, each of us might find silver threads in the lining of all this; I know many have. In the meantime, Pondering can help us find meaning in a world of disquietude, and so I have found some of my favourite C.S.Lewis quotes to do what we do best – inspire, reflect and prosper. Now as I write this the cool air is coming in, I think I need a coat… time to go to the wardrobe. (wink)

 

Our team has decided a gift is in order, so make sure you access your free subscription to Ponderings– Until June 2020. Normally 4.95 per month. We will choose a lucky subscriber to send this complete Chronicles of Narnia Hardcover collection, beautifully illustrated, featuring all seven books along with an essay by C.S.Lewis on writing. Valued at $89.95 

 

“Once a King in Narnia, always a King in Narnia. But don’t go trying to use the same route twice. Indeed, don’t try to get there at all. It’ll happen when you’re not looking for it. And don’t talk too much about it even among yourselves. And don’t mention it to anyone else unless you find that they’ve had adventures of the same sort themselves. What’s that? How will you know? Oh, you’ll know all right. Odd things, they say even their looks will let the secret out. Keep your eyes open. Bless me, what do they teach them at these schools.”

-The Professor”

Clive Staples Lewis (1898–1963) 

 

 

Sources:’

Further reading and sources:
Sources: https://www.goodreads.com/quotes/41513-once-a-king-in-narnia-always-a-king-in-narnia

https://www.cslewis.com/us/about-cs-lewis/
https://www.vqronline.org/essay/cs-lewis-and-his-critics

photo credit: creative commons Illustrated by Pauline Baynes 

photo credit: C.S Lewis square- belfast https://discovernorthernireland.com 

 

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Lights, Camera Action in Geelong

Lights, Camera Action in Geelong

Montanna Macdonald

Montanna Macdonald

Journalist Ponderings

As safe COVID-19 practices draw more Hollywood actors to Australian shores, the Geelong region is just one of many booming cities with film industry potential. 

With an abundance of opportunity for major film productions, the Geelong region’s future is looking promising. Some previous Geelong film sets include Mad Max, the Dressmaker, Paper Champions, not to mention multiple streaming service shows like Netflix’s show Rostered On and teen series currently filming on the Surfcoast, Surviving Summer.

The arts and entertainment industry is struggling with restrictions on gathering, events, and tourism globally. Still, funding resources and COVID-SAFE film production in Australia is an exciting avenue for future filmmakers, jobs, and encouraging investment back into the arts and hearts of Aussie towns. 

A new foundation in Geelong called the Geelong Waterfront Film Foundation is paving the way for encouraging filmmakers to produce in town, with tax deductible funding and grants available for film production in Geelong. A game changer in an entertainment industry that is battling through a pandemic. 

Ponderings met with Executive Director of the Geelong Waterfront Film Foundation, Belinda Lyle, for an interview to discuss the exciting opportunities, resources and support for local emerging artists the Foundation can provide.

What does the Geelong Waterfront Film Foundation want to achieve in Geelong? 

“A group of local stakeholders are now working to create an environment in which a sustainable local film and TV industry are possible. With diverse and impressive natural landscape Geelong is destined for the screen. Urban areas, semi-rural landscapes and beautiful coastline see Geelong and surrounding as an ideal area for filmmaking. Let’s establish a filmmaking hub with a framework in place to make it easy to film in the area!” 

JAX Tyres for Ponderings

What is Geelong Waterfront Film? 

 

“Geelong Waterfront Film (GWF) is set up as a Foundation, in which once adequately funded via local investors, backers and the community at large will assist filmmakers financially should they choose to film in the region.”

“The brainchild of the Foundation, Geelong Accountant Mr Patrick Rowan, found when producers currently come to the region, they are usually looking for ways to raise completion of finance for final production. As an Accountant, he was often approached to recommend investors. Establishment of the Waterfront Film Foundation allows investors to make a tax-deductible contribution to the Foundation which in turn can be a grant or investment to those filming in the region.”

How does Geelong Waterfront Film support local emerging talent in the region?

“GWF is committed to supporting local and emerging filmmakers, creating another funding stream for them. Through its financial support, the Foundation allows for more diverse voices to be heard as this could mean the difference between a film being made or not. This extensive project now also has a newly established board consisting of various artists and Geelong professionals. 

What achievements has the board managed so far?

We have a small grant from the City of Greater Geelong to establish a database of people in the industry. There’s so much talent in Geelong – experienced and emerging filmmakers, directors, lighting & sound engineers, actors, – post-production experts, we are continually surprised with who’s coming out of the woodwork.”

“We want people to be able to come to Geelong to film and know there’s expert talent here to help with the production. The evolving database will help point people in the right direction.”

“In the BIG picture, GWF wants to host the Waterfront Film Festival, think Cannes and Sundance – red carpet and limos – all on Geelong’s stunning Waterfront. This would certainly attract international attention. Wheels are in motion for local film awards and the criteria that must be filmed in the Geelong region. This is a chance to showcase existing and up and coming talent.”

Belinda Lyle, Executive Director GWF.

Belinda Lyle, Executive Director GWF.

 If you are an actor or an aspiring filmmaker, how can you get involved?

 

  • Sign up for the Industry database. It costs $20 per annum to set up to be listed on the website database. Your talents are also promoted through WFF’s social media. It’s not only actors and filmmakers – anyone involved with the industry can sign up to the database!

 

  • Member-only events are planned for down the track offering networking opportunities. 

 

  • There are also opportunities for businesses to get involved with sponsorship. 

 

  • We also run several working committees if anyone wants to be involved with the project. 

 

  • Film-buffs and people interested in the arts can also sign up as a “Friend of Geelong Waterfront Film” for $20. Tax-deductible donations can also be made to the Foundation. 

 

The future of film in Geelong is an exciting avenue for jobs, emerging local talent and tourism, and we look forward to watching this space! To find out how you can support- jump over to: https://www.geelongwaterfrontfilm.com.au 

 

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Get your Scandi On- Insights of Interior Design

Get your Scandi On- Insights of Interior Design

Written by Kirsten Macdonald

 

We ponder with Netherlands native and Geelong’s newest addition to the style scene- Maartje Hartveldt.

 

Scandinavian influence on design, and its persistent popularity make it more than a cultural trend we infuse, copy and paste – but rather an enduring aesthetic that appears to really resonate with those seeking simplicity, elements of nature, light and refuge. Rising to popularity in the 1940’s and 1950’s Nordic clean line interiors have a philosophy behind the style. We caught up with Maarjte Hardveldt from MH Interior Decorating to ponder the intrigue of Scandi design and renovation decisions. 

  

Why do you think the Scandi Style has grown so popular in Australia?

I feel that the Scandi look really reflects the Coastal Lifestyle here in Australia. You see many Scandi styled homes with BOHO influences, a beautiful mix with a true Coastal Vibe.

What are your favourite aspects of the style?

Besides light and airy, the Scandi Style is also characterized by simplicity, minimalism, and functionality, bringing this overall feeling of serenity and relaxation to the space. I love the neutral colour scheme, the whites, the use of lots of natural fibres, the clutter-free aesthetic and clean lines.  

In your field of expertise, how important are ambience and aesthetic when creating space?

These two words are equally important when designing a space. Ambience determines how you will feel in a space, so think about lighting, for instance. I am a big lover of dimmable lights, so you can play with the mood and create the right atmosphere for every occasion. The aesthetics of a space is really the heart whilst designing as that’s the overall style in which you consider balance, shape, colour, pattern, scale and use of material.   

When undertaking renovations, particularly new structures within the house, kitchens, bathrooms etc.- what do you look for in a tradesperson?

That’s a very good question and from my experience in all those years renovating in The Netherlands and Australia, I think tradespeople should be very good at their job. People sometimes don’t consider an essential skillset- Listening! Is your tradesperson a good listener, and do they have an open mind? Being willing to go beyond what they know and visualizing with an open mind focussed on quality will get the best result. 

How can people create simplicity and get that minimalist vibe in cohesion with making a space that reflects your personality?

First of all, I would recommend to see the space as a white canvas and draw up a floorplan in which you choose statement pieces of furniture rather than having too many pieces that will take away the minimalist feel of the space. 

Make use of the natural light, choose muted colours, wood accents, natural fabrics, textures and fibres, greenery and always consider the less is more approach. 

By adding photos of people you care about or moments captured in a photo, grouping your treasures in a cabinet, add your favourite flowers, put some of your best books on display and use a scent diffuser with your favourite smell, you can reflect your personality without ‘destroying’ your new beautiful, cohesive minimalistic space. 

 

What is the most common mistake people make when doing a room upgrade or changing the space?

I guess not looking at the space as a whole but bringing in details they like without considering all elements together.  

What is the first thing people can do to make the process of changing a space less daunting?

My biggest advice would be to start with a mood-board, so you have an idea of what style you like and consider how you want to make the room to feel. 

Key questions you should ask yourself are:

 How will the space be used? 

What are the practical needs? 

Who uses the space, when is the space used and what activities will happen here? 

Set a budget and identify where the most significant impact can be made, so where is it important to spend money and work out to save money. 

Consider what already exists within the space that can be upcycled, repurposed, and decluttered throughout this process. 

Research product prices, check out the portfolios of those you are considering, ask for quotes, make a renovating/decorating plan, and start the exciting adventure.   

My biggest advice would be to really consider The Story that you want your home to tell about you, your family, and life; stay true to your own personal treasures. Sometimes you see these amazingly styled homes, but they lack personality. 

 

‘An interior is the natural projection of the soul’ – Coco Chanel.

so I believe that your home should be a reflection of yourself.

 

What is your background in design and what lead you to design now?

 

My background is basically working for a High-End Dutch Fashion Designer in Amsterdam for over a decade, in which I have been infused with design in general. Every season, creating a new Catwalk Collection always with a meticulous balance between materials, texture, colour, pattern, and shape. Besides this career in the Fashion Industry, I was renovating and styling houses. Creating a collection or creating a space feels very similar as it’s all about completing the puzzle, metaphorically speaking.

To find out more about Maartje and her renovation journey, head to:

insta: mh_interior_decorating (Maartje Design Solutions)

http://www.mhinteriordecorating.com.au

https://mhinteriordecorating.com.au

If you are looking for excellent Cabinetmakers who are open-minded, innovative and quality- go no further than ICM- Independent Cabinet Makers Geelong.

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